Nick has been working commercially as an independent illustrator and designer for fifteen years, making work for clients such as Coca-Cola, Shell, Nike, The New York Times, The Guardian, and exhibiting worldwide. This site collects his personal work.

Nick's practice and research focuses on print and screen based narratives. His work considers the endurance of the image through digital and analogue networks. The image has its own unique qualities, as commodity, process, and abstraction, and it exists in conditions of digital and analogue frictions and fractured temporalities. These media are considered to exist in a contemporary composition of fractured time and space which frames the assumed ontological condition in the ideologies of an accelerated visual culture.

For commercial work please refer to Totally Okay.